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・ Miracle of Dammam
・ Miracle of Flight
・ Miracle of Lanciano
・ Miracle of Love
・ Miracle of Love (disambiguation)
・ Miracle of Marcelino
・ Miracle of Science (album)
・ Miracle of the Cross at the Bridge of S. Lorenzo
・ Miracle of the cruse of oil
・ Miracle of the gulls
・ Miracle of the Holy Fire
・ Miracle of the House of Brandenburg
・ Miracle of the Jealous Husband
・ Miracle of the Moment
・ Miracle of the Moose
Miracle of the Relic of the Cross at the Ponte di Rialto
・ Miracle of the roses
・ Miracle of the Slave (Tintoretto)
・ Miracle of the Sun
・ Miracle of the White Stallions
・ Miracle on 1st Street
・ Miracle on 34th Street
・ Miracle on 34th Street (1973 film)
・ Miracle on 34th Street (1994 film)
・ Miracle on 34th Street (Baltimore)
・ Miracle on 34th Street (disambiguation)
・ Miracle on 34th Street (NBC Friday Night Special Presentation)
・ Miracle on 34th Street (novella)
・ Miracle on Broadway
・ Miracle on Evergreen Terrace


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Miracle of the Relic of the Cross at the Ponte di Rialto : ウィキペディア英語版
Miracle of the Relic of the Cross at the Ponte di Rialto

The ''Miracle of the Cross at the Ponte di Rialto'', also known as ''The Healing of the Madman'' (Italian: ''Miracolo della Croce a Rialto'') is a painting by Italian Renaissance artist Vittore Carpaccio, dating from c. 1496. It is now housed in the Gallerie dell'Accademia in Venice.
==History==
The painting was commissioned for the Grand Hall of the Scuola Grande di San Giovanni Evangelista, the seat of the eponymous brotherhood in Venice. The commission included a total of nine large canvasses, by prominent artists of the time such as Bellini, Perugino, Vittore Carpaccio, Giovanni Mansueti, Lazzaro Bastiani and Benedetto Rusconi.
The subject of the paintings was to be the miracles of a fragment of the True Cross. The item had been donated to the brotherhood by Philippe de Mézières (or Filippo Maser), chancellor of the Kingdom of Cyprus and Jerusalem in 1369, and soon became the object of veneration in the city.
The canvasses were all executed in 1496-1501. All survive today, aside from that by Perugino, and are now in the Gallerie dell'Accademia.

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